Mathis Pfäffli

Works

Installation view
Bad Posture, Lausanne, 2023
^{Photo: Thea Giglio}

*Collector 2*
Installation view
Bad Posture, Lausanne, 2023
^{Photo: Thea Giglio}

*Collector 6*
Detail, installation view
Bad Posture, Lausanne, 2023
^{Photo: Thea Giglio}

Installation view
*Look A Long*
Projekt Links, Bern, 2022

*Remains and Myths*
2022
Graphite on paper, magnets, findings, glass and steel marbles, found metal box, glass
45 × 59 cm

*Glasses*
2022
Steel, glass, agate, findings, magnets, chains, snap hook
In collaboration with Aline Battegay
29 × 14 cm

*Europaplatz 1*
2022
Aluminum, electronic scrap, LED, cable, magnets, found objects, glass, concrete
Approx. 60 × 60 × 50 cm

Installation view spot on Mathis Pfäffli
*Floor is Lava*, Kunstmuseum Luzern, 2022, Lucerne, CH
^{Photo: Marc Latzel}

*Switchboard I*
2021
Wood, aluminum, metal rings, wooden beads
20 × 25 cm

Excerpt from *Tracer*, drawing series
2021–2022
Graphite on paper
29,7 × 42 cm

*The Kids Call It Ghosthouse*
2021
Aluminum, glass, LED, cable, steel cables, adapter, soapstone
80 × 80 cm
Installation view

*Hausgeist*
2021
Aluminum, glass, LED, cable, concrete adapter
30 × 60 cm
Installation view
^{Photo: Benedikt Bock}

*A set of keys* (Arnaud Wohlhauser)
VIEW FULL TEXT

*Palympsest Dust*
in collaboration with Rebecca Kunz
2020
Clay, waste glass, electronic scrap, cable, variable size
Installation view
^{Photo: Michael Baser}

*Palympsest Dust*
Detail
^{Photo: Michael Baser}

*Switchboard*
2021
Wood, glass, concrete, acrylic paint, found objects, round bakelite handles, rubber balls
57 × 103 cm

*All Beings in Serenity (s21e4)*
2020
Paper, found magnets, misappropriated tin
189 × 131 cm
Installation view
^{Photo: Martin Stollenwerk}

*What You Felt Was Not What I Felt, Thoughts in Symmetry*
2019
Collected glass, steel, steel cable, silicone, steel balls, variable size
Installation view
^{Photo: Anja Wille}

*Lens I of II*
2017
Engraved glass
Diameter 110 cm

Statement

Mathis Pfäffli is a Swiss artist living in Zurich. His work meanders between drawing, object, installation. A told story can play a role, often you have to imagine the narratives yourself. The boundaries of the works are sometimes not easy to recognize, much frays at the edges and mixes with the existing.

Education

MA, Fine Arts Institut Kunst, Basel, 2017
Illustration, HAW, Hamburg, 2008–2009
BA Graphic Design, HSLU, Lucerne, 2008

Upcoming Exhibitions

Tracer : "Lucid Strolls", solo exhibition, Damien & The Love Guru, Brussels, opening September 2023
Solo exhibition, Saint-Martin Bookshop, Brussels, opening October 2023
Group exhibition, Instituto Svizzero, Rome, opening October 2023

Solo & Duo Exhibitions

Swiss Art Awards, Basel, 2023
Canopy Launch Pad, with Jan van Oordt, MAT art space, Neuchâtel, 2022
Floor is Lava, Kunstmuseum Luzern, Lucerne, 2022
Tooth Gap, Vera Wessels, Zurich, 2020
Only Openings and Ways Trough, La Dépendance, St. Imier, 2020
Palympsest Dust, with Rebecca Kunz, Ausstellungsraum Klingental, Basel, 2020
Open House, GGG Atelierhaus, Basel, 2018
Nebelmeer, Schwarzwaldallee, Basel, 2017
U, with Manuel Schneider, Oslo10, Basel, 2016
Menhir, Bazzar Compatible Program, Shanghai, 2015
Adapt Reflect Mirror, M35, Lucerne, 2014
Von Jetzt An Ist Alles Neu, Südpol, Lucerne, 2014
Barteronbarteronbarter, travel project with Nadine Gerber, Bern–Athens, 2013
Out Of Sight Chicago, performance with Nadine Gerber, Chicago, 2012
Cave, with Nadine Gerber, N Damen Ave, Chicago, 2012

Selected Group Exhibitions

Didactic Poetry, Kirchgasse Steckborn, 2023
Bad Posture, Lausanne, 2023
Look A Long, Projekt Links, Bern, 2022
Doors, Provence, Zurich, 2022
Stiff Neck, Giulietta, Basel, 2021
Indice Ultraviolet: Décalage vers le rouge, part of Jan van Oordts installation, CAN, Neuchâtel, 2021
Beauty is Everywhere, Museum im Bellpark, Kriens, 2020
In the Tall Grass, Feldbach, 2019
Etwas von Wir, lecture performance, Tatort, Lucerne, 2019
Alles was da glänzt, gelbes Haus, Lucerne, 2019
Open House, GGG Atelierhaus, Basel, 2018
Crib II, Galerie95, Biel, 2017
We Invite You To Hope, Kunsthaus Baselland, Basel, 2017
C’est fini l’ironie, Carrosserie, Basel, 2016
Werkbeiträge Kanton Luzern, AKKU, Emmenbrücke, Lucerne, 2015
If The Situation Leads To An Unknown Question Leave Footsteps Behind, Up-State, Zurich, 2015
Werkschau Chicago, with Nadine Gerber, Kunsthalle Luzern, Lucerne, 2013

Grants and Awards

Junge Kunst, Publikationsstipendium Stadt Luzern, Lucerne, 2020
Researchstipendium des Kantons Luzern, Lucerne, 2017
Werkbeitrag des Kantons Luzern, Lucerne, 2015
Reisestipendium der Stiftung Otto Pfeifer, Lucerne, 2013
Atelierstipendium der Stadt Luzern in Chicago, Lucerne, 2012

Publications

TRACER, published with Spector Books, Leipzig, 2022

Press

Floor is Lava, Mousse Magazine, 2022
Floor is Lava, KUBAPARIS, 2022
Indice Ultraviolet: Décalage vers le rouge at CAN Centre d’Art Neuchâtel, Art Viewer, 2021
We invite you to hope at Kunsthaus Baselland, Art Viewer, 2017
itsnicethat.com, 2015

Installation view, Bad Posture, Lausanne, 2023, ^{Photo: Thea Giglio}

Collector 2, Installation view, Bad Posture, Lausanne, 2023, ^{Photo: Thea Giglio}

Collector 6 , Detail, installation view, Bad Posture, Lausanne, 2023, ^{Photo: Thea Giglio}

Installation view, Look A Long, Projekt Links, Bern, 2022

Remains and Myths, 2022, Graphite on paper, magnets, findings, glass and steel marbles, found metal box, glass, 45 × 59 cm

Glasses, 2022, Steel, glass, agate, findings, magnets, chains, snap hook, In collaboration with Aline Battegay, 29 × 14 cm

Europaplatz 1, 2022, Aluminum, electronic scrap, LED, cable, magnets, found objects, glass, concrete, Approx. 60 × 60 × 50 cm

Installation view spot on Mathis Pfäffli, Floor is Lava, Kunstmuseum Luzern, 2022, Lucerne, CH, ^{Photo: Marc Latzel}

Switchboard I, 2021, Wood, aluminum, metal rings, wooden beads, 20 × 25 cm

Excerpt from Tracer, drawing series, 2021–2022, Graphite on paper, 29,7 × 42 cm

The Kids Call It Ghosthouse, 2021, Aluminum, glass, LED, cable, steel cables, adapter, soapstone, 80 × 80 cm, Installation view

Hausgeist, 2021, Aluminum, glass, LED, cable, concrete adapter, 30 × 60 cm, Installation view, ^{Photo: Benedikt Bock}

A set of keys (Arnaud Wohlhauser) , VIEW FULL TEXT

Palympsest Dust, in collaboration with Rebecca Kunz, 2020, Clay, waste glass, electronic scrap, cable, variable size, Installation view, ^{Photo: Michael Baser}

Palympsest Dust, Detail, ^{Photo: Michael Baser}

Switchboard, 2021, Wood, glass, concrete, acrylic paint, found objects, round bakelite handles, rubber balls, 57 × 103 cm

All Beings in Serenity (s21e4), 2020, Paper, found magnets, misappropriated tin, 189 × 131 cm, Installation view, ^{Photo: Martin Stollenwerk}

What You Felt Was Not What I Felt, Thoughts in Symmetry, 2019, Collected glass, steel, steel cable, silicone, steel balls, variable size, Installation view, ^{Photo: Anja Wille}

Lens I of II, 2017, Engraved glass, Diameter 110 cm