
Sculpture Inauguration
suns.works
2022
Zurich, CH
Documentation by Kristien Daem

SEP 21
Photography by Marc Asekhame
Damien & The Love Guru
2021
Brussels, BE
Documentation by Kristien Daem

SEP 21
Photography by Marc Asekhame
Damien & The Love Guru
2021
Brussels, BE
Documentation by Kristien Daem

Photography by Marc Asekhame
2021
Digital C-Print
59,4 × 42 cm
Documentation by Kristien Daem

Photography by Marc Asekhame
2021
Digital C-Print
59,4 × 42 cm
Documentation by Kristien Daem

2021
Steel and aluminum
60 × 100 cm
Documentation by Kristien Daem

2021
Various materials
70 × 90 cm

Si o No
Conceptual Fine Arts
2020
Milan, IT
Documentation by Andrea Rossetti

Si o No
Conceptual Fine Arts
2020
Milan, IT
Documentation by Andrea Rossetti

2020
Steel and aluminum
100 × 150 cm
Documentation by Andrea Rossetti

2020
Steel and aluminum
70 × 70 cm
Documentation by Andrea Rossetti

2020
Steel and aluminum
70 × 70 cm
Documentation by Andrea Rossetti

Winter Solstice
suns.works
2020
Zurich, CH
Documentation by Thomas Julier and Simon Baumberger

Terence
Sangt Hipolyt
2019
Berlin, DE

2019
Steel and aluminum
60 × 40 cm

2017
Steel and aluminum
100 × 160 cm

2016
Steel and aluminum
100 × 100 × 115 cm

2014
Steel, aluminum and cortisone cream
100 × 160 cm

2014
Steel, aluminum and cortisone cream
Installation view, I BOUGHT A HYACINTH FLOWER WITH LOTS OF LEAVES, JUST TO MAKE ME FEEL LIKE SPRING, Karma International, 2014, Zurich,CH
Emanuele Marcuccio was born in Veneto to a family of Apulian landowners, giving life to an accent that preserves the worst aspects of both inflections. The industrial traditions of the north-east accustomed him – from an early age – to the prospect of an entrepreneurial life, but it was the circumstances of life that led him to deal with art. In an attempt to remedy the nostalgia of a more productive world, his art often relies on local iron and steel industries, with which he shares the same formal priorities: desire for efficiency and hard work. The war to the formal approximation is the aspect that most characterizes Marcuccio's practice, despite that, the human tragedy of production as a perpetration transpires in each of his piece making it profoundly human. (Daniele Milvio)
Education
- Mountain School of Art, 2017, Los Angeles, US
- MA Fine Art, Ecole Kantonale d’Art et Design de Lausanne ECAL, 2015, Lausanne, CH
- BA Fine Art, Accademia di Belle Arte di Brera, 2010, Milan, IT
Solo & Duo Exhibitions
- Book launch, finissage Veit Laurent Kurz, Weiss Falk/ Hacienda Books in collaboration with Damien & The Love Guru, 2022, Zurich, CH
- Frieze London, solo presentation, 2022, UK
- Dream pop, Lodos Gallery, 2022, Mexico City, ME
- Sculpture Inauguration, Suns.works, 2022, Zurich, CH
- SEP 21, Damien & The Love Guru, 2021, Brussels, BE
- Si o No, hosted by Damien & The Love Guru, Conceptual Fine Arts, 2020, Milan, IT
- Terence, Sangt Hipolyt, 2019, Berlin, DE
- Lausanne, Ellis King, 2017, Dublin, IE
- DARSE, Fabrice Gigy, 2015, Geneva, CH
Selected Group Exhibitions
- Group show, Alienze, 2022, Vienna, AT
- Der Radwechsel, Universitätsgalerie Heiligenkreuzerhof, 2022, Vienna, AU
- '45°28'OI'N 9°II'24'E, CFAlive, 2021, Milan, IT
- Bread & Salt, The Community, 2021, Paris, FR
- Winter Solstice, Suns.works, 2020, Zurich, CH
- Living As, hosted by Sangt Hipolyt, Loggia, 2020, Munich, DE
- No String Attached, Hyphen Project, 2020, Milan, IT
- Liste Art Fair, invited by Lodos Gallery, 2019, Basel, CH
- The Salon de Normandy, invited by No Conformism, 2019, Paris, FR
- Summer Show, Castiglioni, 2019, Milan, IT
- Ten Years of ECAL, Galerie l’ELAC, 2017, Lausanne, CH
- La Velocity Delle Immagini, Istituto Svizzero di Roma, 2016, Rome, IT
- Il Futuro era Bellissimo per Noi, Cite International des Arts, 2016, Paris, FR
- Alpensasein, 2016, Val Masino, IT
- Puesta en Escena, hosted by Lodos Gallery, Museo Experimental El Eco, 2016, Mexico City, ME
- Death of the Shambls, Silicon Malley, 2015, Lausanne, CH
- Playtime, 9800, 2015, Los Angeles, US
- System of a Down, Ellis King, 2015, Dublin, IE
- G.I.F.T, Institut Kunst, 2015, Basel, CH
- Life is a Bed of Roses, Foundation d’Enterprise Ricard, 2015, Paris, FR
- Il Progetto del Terzo Giorno, Istituto Svizzero, 2015, Milan, IT
- Lavorare Lavorare Lavorare Preferisco il Rumore del Mare, Centre D’Art Contemporain, 2015, Geneva, CH
- A Form Is A Social Gather, Plymouth Rock, 2015, Zurich, CH
- A Paz Entre os Animals, Boatos Fine Art, 2014, San Paulo, BR
- I Brought A Hyacinth Flower With Lots of Leaves, Just To Make It Feel Like Spring, Karma International, 2014, Zurich, CH
- Megarave Metarave, WallRiss, 2014, Fribourg, CH
- Accrochage Vaud, Musée Cantonale de Beaux-Arts, 2014, Lausanne, CH
- Art of Living, Galerie Chez Valentin, 2013, Paris, FR
Grants and Awards
- SOMA Summer, residency grant awarded by ECAL, 2014, Lausanne, CH
Residences
- Mountain School of Art, 2017, Los Angeles, US
- SOMA Summer, 2014, Mexico City, MX
Related Activities
- Provence AW 21/22 The Poster Issue, publication launch, Art Basel, 2021, Basel, CH
- Artist book, edition of 50, published by Damien & The Love Guru, Brussels, 2022
- Emanuele Marcuccio, published by Damien & The Love Guru, Brussels, 2022
Published Work
- Provence AW 21/22 The Poster Issue, edited by Tobias Kaspar and Hannes Loichinger, published by Spector Books, 2019, Leipzig, DE
- Provence AW 18/19: Report Issue, edited by Tobias Kaspar and Hannes Loichinger, published by Spector Books, 2019, Leipzig, DE
- ‘Emanuele Marcuccio: meccano emotivo e autoreclutamento’, Daniele Milvio and Samuel Gross, Flash Art, 2021
- SEP 21, Critics Picks, Adam Jasper, ArtForum, 2021
- SEP 21, Art Viewer, 2021
- SEP 21, Contemporary Art Library, 2021
- Si o No, GalleriesNow, 2021
- Living As, Art Viewer, 2020
- ‘Emanuele Marcuccio: reproduction in an age of creative precarity’, Sofia Dati, Conceptual Fine Arts, 2020
- ‘Emanuele Marcuccio’, Samuel Gross, Flash Art, 2017
- ‘5 Questions with Emanuele Marccucio’, interview with Emily Steer, Elephant, 2017
