Works

Installation view Soft Cover Soft Cover
2020

Dog Tag Fanzine Saddle Stitch
2020
Satin ribbons, photo prints, keychains, thread
144 x 125 cm / 56 x 49 in

Dog Tag Fanzine Saddle Stitch (detail)

Dog Tag Fanzine Saddle Stitch (detail)

Lap Dog Bone Marrow Jet Lag
2018
Transfer lettering on woven satin ribbons, concrete, heat transfer on fabric, clasps
180 x 21 cm / 70 x 8 in

Lap Dog Bone Marrow Jet Lag (detail)

Video Brace
2020
Wooden structure, transfer lettering, pirated pdfs, zip ties
116 x 41 x 85 cm / 45.6 x 16 x 33.5 in

TTTTTTTTTTTTTTT (book)
2020
15 long sleeve t-shirts, fabric pen on canvas, heat foils, clothing rack

Jammer Poems
2020
Plotter print on plastic sleeves, bookbinding thread, dyed glue
Edition of 5
22 x 17 cm / 8.6 x 6.7 in

Jammer Poems (detail)

AAGGINR
2017
Performance
Beurschouwburg, Brussels

AAGGINR
2017
Performance
Beurschouwburg, Brussels

Installation view Horizon Sucker
2019
MAK Schindler House, Los Angeles

Installation view Horizon Sucker
2019
Two channel video, audio, satin ribbons, stitching, steel frame
MAK Schindler House, Los Angeles

Statement

Slow Reading Club (SRC) is a semi-fictional reading group initiated by Bryana Fritz and Henry Andersen in late 2016. The group deals in constructed situations for reading. SRC looks at, probes, and interrupts ‘readership’ as a way to stimulate the contact zones between reader and text, text and text, reader and reader. Their work takes the form of text, performances, collective reading sessions, exhibitions, video, sculpture, textiles and a still-in-progress road novel.

CV

Exhibitions

Upcoming

  • Rosa Rosa Rosae, Maison Pelegrin, Brussels, BE

    Solo Exhibitions

    2020

  • Soft Cover Soft Cover, with additional works by Gregory Polony and Eleanor Ivory Weber, Damien & The Love Guru, Brussels, BE

    Group Exhibitions

    2019

  • Exhibition or Playground?, MAK Center for Art and Architecture, Los Angeles, US

    2018

  • Tyranny of Distance, ESBA TALM (Angers) / Tin Flats, Los Angeles, US

    Performances

    2020

  • YES, Lafayette Anticipations, Paris, FR
  • YES, Radialsystem, Berlin, DE
  • As for the bed smoothed by visible hands. Only it was huge. Kunstcentrum Vooruit, Ghent, BE

    2019

  • SUPERDECADENCE, Centre Georges Pompidou, Paris, FR
  • Road Movie (unedited first chapter), Q-O2 and KRAAK, Brussels, BE
  • Titanic Titanic Titanic, Kunstverein Hamburger Bahnhof, Hamburg, DE
  • limbswoonundergraft, with Gregory Polony, LTD Academy, Zürich, CH
  • I GOTTA WIG / GLE for this, Bergen Kunsthall, Bergen, NO
  • Body Overflowing with Milk was Stolen like a Jar, MAK Centre for Art and Architecture, Los Angeles, US

    2018

  • SUPERDECADENCE, ZKM — Zentrum für Kunst und Medientechnologie, Karlsruhe, DE
  • Whose Organs Were Those of a Leopard, Louise Dany, Oslo, NO
  • SUPERDECADENCE, CalArts, Valencia, ES

    2017

  • AAGGINR, Bâtard Festival: Beursschouwburg, Brussels & Veem House for Performance, Amsterdam, NL
  • Intimacy, La Loge, Brussels, BE
  • Slow Reading Club, Kunstenfestivaldesarts, Brussels, BE

    Residencies

    2021

  • CAB Residency Program, Belgium, BE (upcoming)

    2018 – 2019

  • Art By Translation France / USA

Publications

2020

  • Body Horror published by Lafayette Anticipations, Edition of 500

Press